Musical theatre can ask for speech, twang, belt, mix, legit and operatic sound, sometimes within the same role.
You cannot hear yourself as the audience hears you while you perform. Working with an experienced coach whose ear you trust is enormously valuable when preparing for an audition or performance. Sometimes, one precise cue or piece of advice can take the whole performance from a seven to a ten.
Many singers also come to me because they want to adapt their training from opera or contemporary commercial music to meet the particular demands of musical theatre. You don’t need to throw away the technique you already have. We can translate it, add the coordinations this repertoire asks for and make them reliable enough to call on in performance.